No, that’s not a typo in the header. It’s just the phrase Odd Nosdam chose when naming this mix, and the 17 tracks here are equally as quirky and off-kilter. Berkeley, CA-based David P. Madson—who recently released the T.I.M.E. soundtrack, in which he scored 13 tracks to match the moves of 13 different skateboarders—curated a supremely mellow and incredibly eclectic mix for the latest installment of the XLR8R podcast. In very few hands do the likes of Cajun folk singer Cleoma Falcon, drone-ambient queen Valet and indie-rock outfit Grandaddy peacefully coexist together. Madson strings these, and more, together seamlessly.
As always, the hour-long mix is exclusive to XLR8R.
Madson’s T.I.M.E. release is out now via anticon.
Nofoolisnotaintready:
01 The Books – “It’s Musiiiiic!”
02 Mr. Dibbs & Jel – “Rhythmic Soarin”
03 Kevin Ayers – “Oleh Oleh Bandu Bandong”
04 Grandaddy – “Go Progress Chrome”
05 Dorothy Ashby – “For Some We Loved”
06 Valet – “We Went There”
07 Grouper – “You Never Came”
08 Cleoma Falcon – “Prends Done Courage”
09 Tortoise – “Whitewater”
10 Black Moth Super Rainbow – “Runite Castles”
11 McDonald & Giles – “Birdman Flies!”
12 Mulatu Astatke – “Ene Alantchi Alnorem”
13 Ween – “Pollo Asado”
14 Bre’r – “Birf Crawl”
15 Philip Jeck – “Wholesome”
16 Kevin Ayers – “Beware Of The Dog”
17 Deerhoof – “This Magnificent Bird Will Rise
XLR8R TV
Brian McCarty
Collectible toys are works of art doomed to a life stuck in packaging lest they lose their value. That’s where Brian McCarty comes in. His photographs imaginatively flesh out the secret lives of collectible characters and, in the process, serve as a playful look at consumerism. Here, we join him in Malibu on a shoot and talk to him about his colorful world.
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Phone Feature: Pop Levi vs. Sparks
Po-mo glam purveyor Pop Levi talks to Sparks’ Russell Mael about the band’s 21 albums and 40 years of keepin’ it weird.
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Artist to Watch: L-Wiz
Swedish duo Claes Rosén and Ola Näslund (a.k.a. L-Wiz) has been making dubstep since 2000, and although their music falls on the mellower end of the genre’s spectrum, they occasionally indulge in what they call “headcrushing satanic basslines.”
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