Archive for Addison Groove

Timo Maas Announces New Single ‘Tantra'(Stream)

Posted in News with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 2, 2013 by E.N.

Timo Maas - Tantra‘Tantra’ is the new single from German polymath, Timo Maas. Taken from his latest artist album, ‘Lifer’, the track is the latest release during a vintage year for the acclaimed German DJ and producer.

As expected with any Rockets & Ponies release, the label has assembled a crack squad of remixers includingTom Demac (who’s about to drop a forthcoming collaboration with Will Samson on Aus), James Teej (the My Favourite Robot boss returns the favour for Timo’s reworking of ‘Liking Your Disorder’), Atelier Francesco
 (a new project and accompanying pseudonym from an already eclectic Italian producer) and Wolfgang Haffner (the ECHO music award-winning German drummer famous for his work with Nightmares On Wax and beyond).

Timo’s first new artist album for several years, Lifer, included guest spots from Mikill Pane, Placebo’s Brian Molko, U.N.K.L.E’s James Lavelle, Katie Cruel and more. The album arrived on the cusp of a summer season that saw him celebrate 10 years as a resident at DC10 in Ibiza, alongside shows at Used & Abused with Loco Dice, and the ANTS opening and closing events at Ushuaia.

Farther afield, Timo played standout parties for My Favorite Robot at Sonar (on the beach and a hotel rooftop), plus US gigs at New York’s Cielo club and at Wavefront – all in addition to his hectic globe-traversing schedule. Details on his forthcoming US and South American tour dates will be released soon.

Outside of ‘Lifer’, this year Timo produced, ‘Pop A Bubble’, his own original contribution to Cocoon’s 100th release compilation, and remixes for James Teej on Sasha’s Last Night On Earth label and Johnny Mikes on Lower East Records; reworkings that added to a remix pedigree that includes Madonna, Depeche Mode, Muse, Fatboy Slim and beyond.

Timo’s remix for Hackman is due in late January 2014 on LA’s HaloCyan Records. The next remix EP from ‘Lifer’comes complete with remixes from The Martinez Brothers, Maetrik (Maceo Plex), Addison Groove, Fur Coat, Livio & Roby, and Luca Lozano, and is due in December.

Ever at ease straddling the somewhat disparate worlds of underground electronic music culture and credible muso pop, Timo and his production partner, Santos, created Rockets & Ponies for both their own productions, and outings from the likes of Maetrik, Tobi Neumann, Riva Starr, Giorgio Roma and more, and they continue to welcome new talent to the imprint. The next single is from Wolfgang Haffner, backed by remixes from Ricardo Villalobos & Max Loderbauer, Nightmares on Wax, Timo Maas & Acid Mondays.

http://www.timomaas.com/

Pocz & Pacheko – ‘Muévelo’ / ‘Changa Letal’ EP out 26th Nov on Enchufada(Free Download & Video)

Posted in News with tags , , , , , , , , , , , , , on November 15, 2012 by E.N.

ENCHUFADA TEAMS UP WITH THE VENEZUELAN POWER DUO 
TO INTRODUCE TUKI TO THE WORLD
Long gone are the days when the periphery sat down, eagerly waiting for the Western tastemakers to let them in on what’s the cool new rhythm to dance to. Bands like Buraka Som Sistema have proven with great success how the infectious rhythms from the ghettos of Luanda have taken over the global stage, setting the tone for a new breed of producers to incorporate kuduro and world rhythms in their ever-widening spectrum of infuences, thus paving the way for the emergence of the Global Bass phenomenon. But of course you already know all about that, so we’d like to tell you about something new.
All the way from Caracas comes a new high-octane bass-heavy genre called Tuki, born and bred in the slums of the Venezuelan capital. Just like the people who created it, it is energetic, larger than life and 100% focused on the dance foor. After growing for a decade inside the impoverished neighborhoods of Caracas, producers like Pocz & Pacheko are fnally bringingTuki to European dance foors and ‘Changa Letal‘ proves it’s here to stay.
On their quest to spread the Tuki virus worldwide, Pocz & Pacheko teamed up with one of the pioneers of the genre, DJ Yirvin, on the single Muévelo. This fery new track will serve as the lead single of their brand-new Enchufada record ‘Changa Letal‘, which will be released on November 5th along with a brand new video. Muévelo will also be available for free download.
Tracks like Aguas CalientesExcalibur or the Cardopusher collaboration Los Rompediscotecas also serve as a feverish introduction to the hard-hitting rhythms of Tuki, by showcasing the 90s techno infuence that permeates the style, as well as the modern infuences of the Dutch bubbling and fdget scenes. All these styles are sped up and spiced with a wild South-American favor, making them ideal for any thrill-seeking globalized dance foor.
On the collaboration front, the pair also teamed up with the kuduro ambassadors Buraka Som Sistema, who were probably the frst outsiders to recognize the importance of the Venezuelan phenomenon, and couldn’t help but wanting to get in on the action in the hypnotizing Perrenke. Last but not least, the Venezuelan dynamic duo enlisted the remixing skills of Barcelona residents Disco Duro, whose appetite for dance foor destruction is bound to become common knowledge very soon.
Like Buraka Som Sistema and kuduro, or Bonde do Rolê and baile funk, we’re witnessing a sonic revolution that’s bound to rock the foundations of the Global Bass scene. Artists like Addison GrooveBrenmar and Toy Selectah were quick to show their support, so come meet us and Pocz & Pacheko on the front lines.
Tracklisting:
01.Aguas Calientes
02. Los Rompediscotecas (feat. Cardopusher)
03. Muévelo (feat. DJ Yir vin)
04. Perrenke (feat. Buraka Som Sistema)
05. Excalibur
06. Excalibur (Disco Duro Remix)

Addison Groove “I Go Boom / DJ Rashad & Doc Daneeka Remixes” (preview)

Posted in News with tags , , , , , , , , , , , , , , on October 25, 2012 by E.N.

50WEAPONSRMX02 follows the much sought after Shackleton, T++ and Headhunter Remixes of Moderat, released as well as a hand stamped white label on 50 Weapons in summer 2009. 3 years later comes only the second remix record on Modeselektor’s rapidly expanding 50 Weapons empire.

Addison Groove’s “I Go Boom”, taken from his recently released “Adventures In Rainbow Country” EP, get’s reworked by Chicago’s finest Juke producer DJ Rashad, as well as Swansea house ambassador and Ten Thousand Yen owner Doc Daneeka.
Release date: Nov 9, 2012

Addison Groove “Adventures In Rainbow Country” (50WEAPONS022) Out Sep 14(preview)

Posted in News with tags , , , , , , , on August 17, 2012 by E.N.

A new Addison Groove record is always a spectacle.

This new EP in particular is gonna make you go boom!

“Adventures In Rainbow Country” features 4 brand new tracks written and produced right after the recording sessions for “Transistor Rhythm”,

Addison Groove’s debut album released end of March.

Addison Groove “Dance of the Women” feat. Mark Pritchard (preview)

Posted in News with tags , , , , , , , , , , on March 15, 2012 by E.N.

Addison Groove “Beeps” (50WEAPONSCD06) (preview)

Posted in News with tags , , , , , , , , , , , , , , , , , , , on January 30, 2012 by E.N.

Tectonic Plates Volume 3 (Tectonic)19th March 2012

Posted in News with tags , , , , , , , , , , , , , , , , , , , on January 25, 2012 by E.N.

Release date: 19th March 2012
Format: LP / CD / Digital
The mighty Tectonic Recordings drop the latest in their esteemed Plates series, compiling exclusive tracks from a selection of electronic music’s leading and breaking artists. Since starting low frequency operations in 2005, Bristol’s Tectonic Recordings has been a landmark for dubstep, bass and progressive electronic music fans; with artists releasing on the label including Skream, Loefah, 2562, Peveralist, RSD, Flying Lotus, Joker, Addison Groove, Jack Sparrow, Photek, Benga, Digital Mystikz and label boss Pinch.

Tracklisting: 

1. Kryptic Minds – ‘The Talisman’
2. Addison Groove – ‘Phantom’
3. Tunnidge – ‘Universal’
4. Pinch – ‘Blow Out The Candle’
5. Goth Trad – ‘Mach’
6. Clue Kid – ‘Evolution’
7. Roska – ‘480 BC’
8. Monky – ‘Float’
9. Ginz – ‘Chrome’
10. OM Unit – ‘Preshah’
11. Kevin McPhee – ‘Outs’
12. Illum Sphere – ‘Promise A Secret’
13. 2562 – ‘Rogue State’

http://tectonicrecordings.com/

Addison Groove “Bad Things” (50WEAPONSCD06) – Out on March 30

Posted in News with tags , , , , , , , , , , , , , , , , , , , on January 23, 2012 by E.N.


More INFO HERE

Addison Groove “Sooperlooper”(Preview)Out March 30

Posted in News with tags , , , , , , , , , , , , , , , , , , , on January 15, 2012 by E.N.

Addison Groove (aka Antony Williams) started life under a different pseudonym altogether. Recording as Headhunter, with an LP and 12” releases on the influential Tempa label stretching back to 2007, he achieved legendary status within the dubstep scene. His work at the deeper end of the spectrum graced the label an impressive 7 times, a figure matched only by Skream. This work looked set to continue until 2010 when, seemingly out of nowhere, he crafted one of the biggest bass music tracks of the decade, ‘Footcrab’, under the new name of Addison Groove.

The response to ‘Footcrab’ was phenomenal, receiving critical and commercial success in equal measure across the dance music scene. Getting plays not only from the dubstep DJs that Williams was used to reaching, it also found its way into the record boxes of techno and house heavyweights such as Aphex Twin, Surgeon, Ricardo Villalobos and Mr Scruff, bringing an enormous new audience to his music in the process. Taking influences from the Chicago ghetto tek and juke scenes, Addison Groove’s impact on UK bass music has been colossal and unprecedented, sparking a huge interest in these styles from his peers and the listening public alike.

Transistor Rhythm“, Addison Groove’s debut album, is a rare example of a release where the description “much anticipated” is not just a fantasy of some PR agent. The expectations are high, but we are convinced nobody is gonna be disappointed. Hear for yourself!

FabricLive 61 – Pinch

Posted in News with tags , , , , , , , , , , , , , , , , , , on November 27, 2011 by E.N.

Looking back on the myriad of ways that the genre now known quite loosely as ‘bass music’ has mutated, one of the key figures in its evolution would have to be Bristol’s Rob Ellis, better known simply as Pinch. His fascination with what the outer limits of the dub sound can achieve, has made him a distinct figure within the fluid group of like-minded dubstep musicians that defined the so-called Bristol sound. In 2003, a Kode9 set at London’s seminal FWD>> became the stepping-stone into dubstep that inspired him to start the first pure dubstep night outside of FWD>>, Subloaded, in his hometown. With the city’s love of dub and long musical lineage, plus Pinch’s dedication to the importance of the actual sound, it quickly formed a dedicated community and became a yardstick by which other nascent events were measured. This had all been driven by a key moment in his own musical evolution which as he explains, “I lost interest in D&B and started buying minimal Basic Channel style techno, garage, grime and electronica instead – trying to mix them up together,” pre-empting the dominant sound of 4/4 dub-techno embraced by today’s crop of young producers, like Hessle Audio, who regularly cite the Bristol sound as a big influence. This embrace of a starker, dubbier sound became the seed from where his Tectonic label grew, and by championing artists like 2562, led to his eventual release of work with dub legend and King Tubby apprentice, Scientist. His FABRICLIVE offering comes hot on the heels of mixes from Pearson Sound and an artist with whom he’s just recently released a collaborative album on Honest Jon’s, Shackleton. These are all producers who work in a similar vein, that is, impeccable attention to sound detail, continual experimentation with rhythm whilst always maintaining a definitive ‘sound’ which can be traced throughout all their productions.

The mix itself combines all of Pinch’s loves, a blend of both melodic mood-pieces, driving dub-techno and the odd mid-range bass wobble masterfully planted to maximum effect. This is all peppered through in post-production with little vocal samples, mostly supplied by Bristol MC Jakes, that fully form the mix, like the grain in wood, supplying body, making it more than just a sum of its constituent parts. Pinch kicks things off somewhere through a Distal production, a screwed hip-hop vocal making it sound like a paranoiac’s reimagining of ghetto-tech. This quickly sets the tone – managing to juggle the ominous with the upfront, like the Lynchian strings of ‘In Dreams’ which phase seamlessly into the manic energy of Boddika and Joy O’s recent smash ‘Swims’. The mix really clips along, testament to Pinch’s skill behind the decks, most tracks only playing out for a couple of minutes at most. There’s a nod to the pure dub-techno of Basic Channel, with a cut from Shed’s side-project EQD, mastered at that other altar to all things bass, Berlin’s Hard Wax. This drives into another major influence, with Pinch’s own remix adding some rolling sine-waves to the guttural vocals of Prince Green on Henry & Louis& neo-dub. A sledgehammer wobble both heralds, and ends, the central section of the mix, with Pinch’s collaborative effort with Photek, and Chestplate boss Distance’s weighty ‘Blue Meanie’. This central nub almost functions as a showcase, Pinch demonstrating some of contemporary dubstep’s many flavours: the industrial sounds of Emika, Roska’s clattering drums, Addison Groove’s use of repeating vocals as a rhythmic weapon and the shimmering techy keys of Goth Trad. The final two tracks are supplied by a couple of the most promising young producers to emerge in the past few years, Londoner OM Unit and Tectonic’s own Illum Sphere. ‘Pressure’ certainly doesn’t let up, presenting us with a relentless squiggling synth-line awash in a storm of feedback then changing tack considerably into a steady pulsing beat. Pinch often talks of psychedelic dub, and here Illum Sphere demonstrates it wonderfully, toeing the line between instrumental breakbeats and even deep house, with its ethnic drums, distorted strings and a pitched down warble. This isn’t the true end as the mix is bookended with the rest of Distal’s track in order to achieve a perfect circularity as Pinch explains.

I am a supporter of the sound of vinyl and the cultural associations I make with this format so it was important to me – even if I do ultimately end up abandoning my beloved format one day – to stick by my guns and record the mix like this. I also made the whole mix start and finish in the same spot – meaning that the entire DJ mix can work as a loop if you put it on repeat. I really like the idea of certain kinds of music existing in its own infinite context and setting up the mix to loop like that was playing entirely into that idea.” – Pinch 2011

Release date: Jan 16, 2012

FabricLive 61 – Pinch
Tracklist
01. Distal – Venom (Part 2) [Tectonic]
02. F – Slow Down [7even]
03. EQD – Equalized #005B [Equalized]
04. Henry & Louis feat. Prince Green – Love Like (Pinch Remix) [2 Kings]
05. Pinch & Shackleton – Rooms Within A Room [Honest Jon’s]
06. Deleted Scenes – Natural Law [Deleted Scenes]
07. Pinch & Quest – In Dreams [Tectonic]
08. Boddika & Joy Orbison – Swims [Swamp81]
09. DJ G – Uncertain [Tectonic]
10. Roly Porter – Hessra [Subtext]
11. Photek & Pinch – Acid Reign (Pinch’s Dubplate Version) [Photek Productions]
12. Pinch & Loefah – Broken [Tectonic]
13. Emika – Double Edge (Pinch Remix) [Ninja Tune]
14. Roska – 480 BC [Tectonic]
15. Addison Groove – This Is It VIP [Tectonic]
16. Goth Trad – Mach [Tectonic]
17. Distance – Blue Meanie [Chestplate]
18. Jakes – Get Serious [H.E.N.C.H.]
19. Jakes – A Case Of The Bleeps [H.E.N.C.H.]
20. OM Unit – Pressure [Tectonic]
21. Illum Sphere – Promise A Secret [Tectonic]
22. Distal – Venom (Part 1) [Tectonic]

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