Taken from Rone – Bye Bye Macadem (remix)
Hypnotic loop remixed Techno Godfather, Juan Atkins, Aquarian and PLANkT takes right in the dancefloors.
Download:Rone – Bye Bye Macadam (Aquarian remix)
Rone – Bye Bye Macadam (Juan Atkins remix)
Rone – “Bye Bye Macadam” (PLANkT Official Remix)
12” Inch available at BLEEP
Rone – Bye Bye Macadam (Aquarian remix)
ARTIST:BRICKMAN
TITLE:INNER SILENCE EP
LABEL:SIMPOSIO PRODUCTIONS
RELEASE DATE:2013-04-25
FORMATS:DIGITAL
Brickman is a young producer from Russia and presents Inner Silence EP, this is the 6th release by Simposio Productions. Three fascinating tracks that cover a wide range of Deep/Dub influences around Techno. The first cut “Vague” is the perfect song to start a set, high level for your ears.“Correlation” is a track full of deep sounds and melodic atmospheres, very good quality. The last track“Tunnel of Light”, an awesome soundtrack a bit more experimental to close this great release. A brilliant package signed by Brickman, on Simposio Productions
Some of the best tracks from albums,ep’s,compilations…arrived at our mailbox extramusicnew(at)gmail.com.
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1. FLUME – Bring You Down (3:49) INFO
2. The watchers – mastodon resistor (5:45) INFO
3. DKS – I Know (4:55) INFO
4. Matmos – Mental Radio (3:40) INFO
5. Pop Campaign – Laptop Loyal (4:30) INFO
6. Ian Pooley – Swing mode (5:47) INFO
7. R/D – Snow Poem (4:09) INFO
8. The Others – Freeze The Frame ft. Geoff Smith (Baxta Remix) (5:00) INFO
9. Jay Haze feat. Big Bully & Sven VT – Soul In A Bottle (Jonas Woehl Remix) (9:04) INFO
10. Aleph – Oh So (3:42) INFO
11. Reblok & Dj Schwa – Williamsburg (6:02)
12. Loadstar – Black & White ft. Benny Banks (Breakage Remix) (4:39)
13. Wilkinson – Need To Know ft. Iman (4:26)
14. A Guy Called Gerald – Groove Of The Ghetto (6:13)
15. Guy J – Vaga (7:21)
16. Leon & Pirupa – Bassline (7:09)
17. Eskimo Twins – Apikoros (Tomas More Remix) (6:46)
18. Scuba – Hardbody (7:17)
19. Kruse & Nuernberg & Nathan G – Took My Love (7:25)
20. Pedro 123 – Slush (Checan Remix) (6:39)
21. Mike Shannon – Sunrise (6:08)
22. Rob Sparx – New Life (4:48)
23. Henry Saiz – Uncharted (8:32)
24. Rekoil & Symbiotic – One Last Time (feat. Maksim) (5:03)
25. The Frim – Error (3:39)
26. Djunya, Janover – Vast (4:08)
27. Broke & Repeat Pattern – Heart battery charger (1:47)
28. Drone – Membrane (X-ecute remix) (7:48)
29. Jay Haze – 2012 (6:30)
30. Staygold feat. Spank Rock – Imagination (4:12)
31. Apollo Campbell & David Vangel-Measure of Progress (2:45)
32. Bunny Sigler – By The Way You Dance (Julien Jabre Remix) (5:39)
33. Flashmob – Ninety Five (Argy ’95 Mix) (6:34)
34. Toka Project – Back To My Loops (Jay Marks Remix) (7:13)
35. Club Bizarre – La Mort Du Petit Cheval (Chloé’s Open Late Mix) (8:47)
36. Marco Bernardi – Dibadabi (Clatterbox Remix) (6:49)
37. Philthkids – Push (3:38)
38. Slackwax – Nightout (Jonas Woehl Remix) (9:22)
39. David Kassi – Pray For Love (6:26)
40. Elias Tzikas – Still Around (8:03)
41. Never Let You Go – Inkswel & Kid Sublime Remix (ft. Charli James) (3:41)
42. Hashback Hashish – Bruce Banner (Clatterbox Remix) (5:37)
43. Panaché – Sweet Jazz Music (7:32)
44. EinKa – Yamuna (Daso remix) (6:56)
45. Theophilus London – Wine & Chocolates (andhim Remix) (7:36)
46. H2 – Chase The Sun (5:11)
47. Chieftain – Kriegspiel (7:49)
48. Submotion Orchestra – Blindspot (Opal Block remix) (6:10)
49.Franck Roger- WHEN YOU TOUCH (8:07)
50. Deep’a & Biri feat. Gene – Used Love (6:48)
51. Jon Sine – Take it Back (7:01)
52. Pneumatics – Dark Nutrients (7:09)
53. Dope DOD – Combust (3:07)
54. Rollz – Isotonic (4:15)
55. Alex Flatner&LOPAZZ -Freedom Of My Heart( AlexNiggemann Remix) (7:31)
56. Chubby Dubz – See It Thru (Original Mix) (7:15)
57. James Dexter – In & Out (7:29)
58. Fearful – Gorilla (Original Mix) (6:01)
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60. Lemieux – No Holding Back (8:13)
61. Climbers – Equal Responsibility (Inxec vs. Droog Remix) (6:56)
62. MiM & Ntek Feat K-mi Forfront (Original Remix) (2:40)
63. Marco Faraone & Luca Agnelli – Break Dose (7:51)
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66. Hot Since 82 – Like You (7:18)
67. Leav – Your Perfume (6:58)
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RTIST:DEEPCHILD
TITLE:NEUKOELLN BURNING
LABEL:THOUGHTLESS MUSIC
CATALOG:TLM069
RELEASE DATE:2012-10-09
FORMATS:CD ALBUM , DIGITAL ALBUM
A visionary blend of Berlin techno, UK Bass and mutant soul, Deepchild‘s first full-length since 2008′s Departure on Future Classic is equal parts revelation and manifesto. Abandoning the oppressive heat of his native Australia for the punishing winters of Berlin’s Neukölln district in 2009, Rick Bull’s dub-inflected sound evolved with the iconic club culture of his newly adopted hometown. Acclaimed live sets at Berghain and a series of intervening 12-inches for Trapez, Resopal and Oppossum set the tone for an album that picks up where his previous Thoughtless single, The Suffering Ones, left off: interlacing defaced R’n'B vocals within a framework of frayed, eroded, yet tough-minded house and techno.
Neukölln Burning was written during the depths of the 2011/12 Berlin winter, plagued by extreme insomnia brought on by Rick’s first attempt in almost 10 years to wean himself from anti-depressive medication. As a result, the album displays a deep internal coherence, described by the artist as “an exercise in catharsis; an experiment in transforming a sense of claustrophobia and uncertainty into something ultimately hopeful, visceral, perhaps even seductive.” The atmospheric opener, mid-way interlude and closing track weave a cinematic thread – yet waste little time before the low-slung title track kicks into gear with sultry polyrhythms, setting the pace for submerged vocal fragments and erratic scintillations.
Quickly ramping up to the fearlessly peak-time warehouse energy of ‘Dirty Cutlery’ and the acidic stomp of lead single ‘Riyadh’, ‘Bleeding Down the Night’ erects a post-apocalyptic sanctum, radioactive shards and liquid vocals seeping through the edges of a seemingly airtight structure. Juxtaposing throwback detuned strings with upfront vocals on ‘I Woke and You Were Smiling’, dissonance releases into dizzy, bass-fueled euphoria.
“This album is the most singularly unified piece of recording I’ve done to date. I’ve included a lot of found-sound elements from touring the US, as well as subtle references to Arabic and Sufi music – very much reflective of the heavily immigrant culture of Neukölln. It’s an album where I’ve intentionally worn off many of the edges from vocal elements: murmurs and half-remembered moments, underwritten by an insistent sense of urgency.” The brief respite of ‘Chicago Train’ gives way to the forward percussion and dense synth programming that pushes ‘Want’ through newly forged post-Detroit terrain before arriving at dub-wise way-station, ‘The One I Used to Call Home’. Stripping down his rough techno ethic, ‘Rage’ is a cathartic exertion that presages the expansive melancholy of ‘Then We Dissolved’. Finally, ‘That I Adore You’ illuminates that magnetic brightness at the end of a long journey, evoking a welcome positivity through the unique aesthetic that defines the album.
Cushioning the come-down with ‘Reuterkiez Winter Lights’, ‘Perimeter of Release’ closes Neukölln Burning with a glimpse of the vastness underscoring the entire effort. Merging otherworldly sound design, sample-heavy arrangements and a subtle yet tangible undercurrent of sexual tension, the compelling result is both deeply urban and enticingly futuristic. “Neukölln has come to represent to me a place of rebirth, of starting again… the sense of a culture supplanted into an unfamiliar environment and allowed to grow new roots, to reframe what ‘home’ means in a way which asks fundamental questions, and relies deeply on the kindness of strangers. Neukölln is a sort of alchemy I bear witness to – burning away the old and giving rise to fallow ground, where new things might grow.”
The latest from the illustrious New York City imprint Biatch Corp comes courtesy of well-known Manchester producer James Kumo. Kumo, hot of his single “I Understand” for Dan Curtin’s Metamorphic label, gets deep on the Stagger EP with three provocative originals in his distinctive shuffling percussion style. Rounding out the collection are two superb remixes of the title track from Brendon Moeller and Paul EG respectively.Stagger - Minimal but melodic, deep space pads, and innovative percussion work. This track is emotional and made for the late night dance floor where listeners can really feel the subtle elements of Kumo’s techno.
Stagger (Paul Eg Remix) - Brazilian/Swiss artist Paul Eg brings his signature deep tech-house sound touch to this rework of “Stagger”. The result is dubby, head-nodding remix that moves away from the reductive approach of the original for something warmer.
Of all of the personalities to emerge from the Mutek affiliated Montreal electronic music scene which exploded onto the global stage at the turn of the millennium Scott Monteith, better known to audiences worldwide as Deadbeat, has unquestionably shown himself to be its most prolific and restless spirit. Through a steady stream of critically acclaimed singles and 7 studio albums for labels such as ~Scape, Echocord, Wagon Repair and most recently his own BLKRTZ imprint, and his genre defining Radio Rothko mix, which drew comparisons to some of the greatest mix CDs of all time (Richie Hawtin’s Decks, EFX & 909 : Jeff Mills’s Live at the Liquid Room), Monteith has established himself as perhaps Dub Techno’s greatest champion. Yet anyone intimately familiar with said catalog could rightly accuse even that lofty title of being an over simplification. In a genre dominated by stoic reverence to the creative framework laid down by Mark Ernestus and Mortiz Von Oswald’s Basic Channel and related projects of the mid 90s, Monteith has consistently charted his own course over the last 13 years, tearing up and re-writing the rule book several times over. Having burrowed to the very deepest depths of echo and dread of the Jamaican variety with last year’s hypnotic Drawn and Quartered album, Deadbeat once again sets sail into uncharted waters with his latest hour long salvo, humbly entitled Eight.
artist Deadbeat
title Eight
label BLKRTZ
date 10 September
cat. BLKRTZ 004
format CD/LP.
Tracklist -
1. The Elephant in the Pool
2. Lazy Jane (Steppers Dub) w/ Danuel tate
3. Alamut
4. Wolves and Angels w/ Mathew Jonson
5. Punta de Chorros
6. My Rotten Roots
7. Yard
8. Horns of Jericho w/ Dandy Jack
Eight will be available on September 10th 2012 via BLKRTZ in CD, digital, and deluxe 3×12 vinyl editions, with worldwide distribution via Kompakt.
Solid Detroit fuelled tracks.Quality, underground techno on red vinyl.
LABEL Downfall Theory
ARTIST Sanys
TITLE Forward Thinking Logic
RELEASE 9th July 2012
FORMAT 12″
CATALOG DF03
The Hundred In The Hands is releasing their new album RED NIGHT on June 12th via Warp Records, and today the band has shared Andy Stott’s ethereal remix of their single “Keep It Low.” The remix swells with added bass and percussion, which Stott transposes against Eleanore Everdell’s transfixing vocals throughout. It can be found on the 12-inch “Keep It Low” single, which includes an original B-side (“Mountains”), and additional remixes from JD Twitch, who turns in two great Optimo reworks. The single will see a release on May 28th via Warp Records as well. The band is also announcing a handful of North American tour dates, including an album preview show at Brooklyn’s Glasslands tomorrow, where they’ll be debuting new material from RED NIGHT live for the first time
Of the Andy Stott remix, the band says, “We were listening to Andy Stott’s “Passed Me By” and “We Stay Together” EP’s a lot as we started the record. So many good ideas and textures, with low end in the extreme that kind of rattled our minds a bit. When it came to looking for people to remix, he was first on the list.”
RED NIGHT is a self-produced meditation on separation and reunion, love nearly lost and the long night back to it; a chronicle of late-hour pining awash in digital glow and urban buzzing. Album opener “Empty Stations” begins with a haunting string arrangement that is overtaken by a propulsive rhythm and Eleanore’s spellbinding vocal turns. “Come With Me” guitar stabs, icy keyboard, and polyrhythm underscore the lyrical siren’s call. The heart broken vocal on “Faded” wraps itself around the spiraling bell and fragile arrangements to devastating effect.
The goth R&B monster “Stay the Night” is a tale of yearning with a seductive slowed-down groove. The vast soundscapes of “Lead In The Light” start out sparse and build to an otherworldly climax and then back down again. RED NIGHT is an opportunity to enter the winding tunnels of The Hundred in the Hands’ nocturnal city where time stretches, tempos drop, and guitars plunge rumbling and throbbing out against denser and denser vocals as the story unfolds. The band’s boundary-pushing sound is unafraid to marry minimalism and abstraction with big melodies.
Upcoming North American Tour Dates
5/15 – Brooklyn, NY – Glasslands
6/14 – Toronto, ON – Wrong Bar (NXNE w/Purity Ring)
6/15 – Chicago, IL – Empty Bottle
6/18 – Philadelphia, PA – Kung Fu Necktie
6/19 – Washington, DC – Rock & Roll Hotel
6/26 – San Francisco, CA – Rickshaw Stop
6/27 – Los Angeles, CA – The Echo
* More dates to be announced soon
Worldwide Tour Dates
5/15 – Brooklyn, NY – Glasslands Info/Tickets
5/18 – Moscow, RU – Gorky Park Cherrytree Festival
5/21 – Amsterdam, NL – Indiestad Festival at Paradiso Info/Tickets
5/22 – Rotterdam, NL – Rotown Info/Tickets
5/24 – Cologne, DE – Electronic Beats Festival at E-Werk Info/Tickets
5/25 – Berlin, DE – Meltklub Weekender at Astra Kulturhaus Info/Tickets
5/26 – Neustrelitz, DE – Immergut Festival Info/Tickets
5/27 – Tuntange, LU – Food For Your Senses Festival Info/Tickets
5/28 – Paris, FR – Café De La Danse Info/Tickets
5/29 – London, UK – White Heat at Madame Jojo’s Info/Tickets
5/31 - London, UK – Hoxton Square Bar & Kitchen Info/Tickets
6/01 – Cambridge, UK – The Portland Arms Info/Tickets
6/02 – Bristol, UK – Dot To Dot Festival Info/Tickets
6/03 – Nottingham, UK – Dot to Dot Festival Info/Tickets
6/04 – Manchester, UK – Dot To Dot Festival Info/Tickets
6/06 – Zurich, CH – Exil Tickets
6/08 – Luzern, CH – Südpol Info/Tickets
6/09 – Imagine Festival, Basel, CH – Imagine Festival Info/Tickets
6/14 – Toronto, ON – Wrongbar (NXNE w/Purity Ring)
6/15 – Chicago, IL – Empty Bottle
6/18 – Philadelphia, PA – Kung Fu Necktie
6/19 – Washington, DC – Rock & Roll Hotel
6/26 – San Francisco, CA – Rickshaw Stop
6/27 – Los Angeles, CA – The Echo
6/30 – Düsseldorf, DE – Open Source Festival Info/Tickets
7/07 – Saarbrücken, DE – Electro Magnetic Info/Tickets
7/28 – Diepholz, DE – Appletree Garden Festival Info/Tickets
8/03 – Salzburg, AT – Stuck! Festival Info/Tickets
8/10 – Hamburg, DE – Dockville Festival Info/Tickets
8/24-25 – Hannover, DE – Bootboohook Festival Info/Tickets
www.thehundredinthehands.com
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LABEL Electric Deluxe
ARTIST Brendon Moeller
TITLE Works
RELEASE 8th May 2012
Electric Deluxe are proud to announce Works, the ninth studio album from dub techno purveyor Brendon Moeller.
Conceived in late 2010 and inchoately developed during a spell in Amsterdam with EDLX head Jochem Paap overseeing the project, Works flaunts Moeller at the height of danceabilty whilst remaining true to his steeped lineage as a maker of textured, atmospheric and subaqueous electronic music.
“I began thinking hard about what kind of album I was trying to make. After much pondering I decided the best way forward would be to make an album that reflects both my own idiosyncrasies as well as try and capture what I believe to be the spirit of techno.”
After the experimental Subterranean—a near beatless record comprised from a single live mixdown of sounds collated over the course of a year—under his Echologist moniker, Works shifts focus back to the dance floor with a collection of propulsive techno tracks, saturated with the visceral groove that has come to define Moeller’s discography. From the submerged and spacious “Writing Wrongs” and bleepy, strung-out antics of “Far Out” to the house-kissed “Take A Dive Into The Sound” and darker, chugging cuts that close Works, the album pools together the threads of a prolific production history, spanning almost two decades, into a single succinct long player.
“It was the final stages of putting together the album where I went into a sort of manic obsessive behavior. I knew the clock was ticking and I desperately wanted to be sure that every track, every mix of every track was as good as it could be. Jochem’s feedback and tactful suggestions helped shape these tracks into what they are now. I’m super proud of these and simply cannot wait to hear them on different sound systems all over the world.”
With a particular nod to his other Beat Pharmacy alias—affiliated exclusively with Francois K’s Deep Space Media label and New York party— Moeller’s expansive output has fused dub and techno with jazz, afrobeat and psychedelic pastiches to carry on as much as refashion Basic Channel heritage into his own distinctive patois. But what makes Works a truly unique product of his is Paap’s influence over the record. “Off The Grid”, “Wanderer” and “Adjust To The Fading Light” are as some of the toughest bass-driven efforts from Moeller to date, balancing some of the album’s brighter tracks like “In Pursuit” with techno’s pounding industrial heartbeat. The result is an eclectic imagining of the genre—showing the many sides and emotions of techno, and Moeller himself.
Since 15.04.2010
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