Watch Tom Jenkinson discuss his new show and see highlights from last year’s sold out Hackney Empire show
Archive for The Bug
Watch Tom Jenkinson discuss his new show and see highlights from last year’s sold out Hackney Empire show
Taken from The Bug’s Acid Ragga 7″ ‘Ganja Baby / Diss Mi Army’, released 22 October 2012 on Ninja Tune.
Preview edit of ‘Can’t Take This No More’ feat. Daddy Freddy, taken from The Bug’s 7″ single ‘Can’t Take This No More’, released on Acid Ragga / Ninja Tune in June 2012.
Buy on 7″ vinyl at the Ninjashop: http://bit.ly/ITE1Rb
“You have to be hungry as a musician. You have to experiment, you have to develop, you have to move forward, but you have to be hungry. That is how it is supposed to be. I won’t say that I haven’t been successful but I will say that I want to be better than this.” Goth-Trad to Big Up Magazine, 2008
And better he has become. New Epoch, Goth-Trad’s debut album for the DEEP MEDi Musik imprint due out in February 2012, is the result of over a decade of pushing forward from the man Kode9 calls “a one-man army mutating the UK hardcore continuum in Japan.”
Takeaki Maruyama aka Goth-Trad is a spearhead among producers worldwide who have taken the sounds of the UK underground and mutated them into new forms – or, in this case, into New Epoch. However, for Maruyama-san it’s never been about trying to replicate the UK sound as he acknowledged in a 2008 interview, “Looking at good Dubstep producers, I don’t think they are trying to make Dubstep. They are already looking beyond this, and trying to make something new. They are thinking on another level. That’s the fun part!” And fun is something he knows all about.
Emerging from a vibrant underground Japanese electronic scene, Maruyama-san has developed into one of the most outstanding artists of his generation. His unique “fun” style involves freely playing samplers, keyboards and even self-made instruments – this approach brought him the nickname “the Sound Originator.” His sound comprises a broad palette of influences from Abstract Electronica to Noise, from Dub and Reggae to Jungle, from Rave and Grime to Punk, and almost every form of music somehow is absorbed into his black hole-like approach, emerging from a trans-warp conduit on the other side as something uniquely Goth-Trad. Maruyama-san has simply always been experimenting and developing his own sound palette. This truly unique, abstract approach has earned him a place at the forefront of dance music in Tokyo – quite a feat in of itself since Tokyo has one of the most complex and engaging scenes for electronic music in the world. With a strong back catalogue of albums and touring beneath his belt the buzz for his music has slowly spread further and further around the world, New Epoch is certain to bring the bass mutations of this Tokyoite even further.
Maruyama-san first started producing music in 1998 and by 2001, he was ready for a breakthrough. It came when he formed the band Rebel Familia with the much-respected Dub Reggae bass player Takeshi ‘Heavy’ Akimoto of Dry & Heavy, a legendary Japanese act. By 2003, he had released his first solo album Goth Trad 1, which led to his debut European tour the same year and an opening slot for respected indie rock act The Mars Volta the following year. Maruyama-san says of this period, “Before Dubstep I was making experimental beats or almost kind of ambient.” His second album The Inverted Perspective in 2005 shifted the focus to the live improvisational style that he continues to develop and refine to this day. Looking back, he describes the record as “almost a noise experiment.” This was swiftly followed by a third album Mad Ravers Dance Floor, which was his first move towards the kind of dance music he makes today. He recalled what inspired him at the moment in an interview with Knowledge magazine – “When I found Grime music I heard Morgue by Wiley. It’s very deep and like down-tempo Hip-Hop but has more bass. Maybe we could call that Dubstep but back then it was called Grime. The first image was ‘deep’. The music totally fit some vision in my head. I felt something from that music.” Mad Ravers Dance Floor opened European ears to his sound even more – especially when the Grime-inspired single Back to Chill was picked up by UK label Skud beats, catching the attention of the expanding bass music scene in the UK. By the end of 2006 Goth-Trad also started own night in Japan named after the single and he embarked on his fourth European tour that provided a pivotal breakthrough moment in his career thanks to a timely meeting at the London club FWD>> with Dubstep pioneer Mala from Digital Mystikz.
Mala signed the single Cut End / Flags to his own DEEP MEDi Musik imprint and subsequently those cuts garnered noise from a strong core of supporters including artists like The Bug, Kode 9, Coki, Skream and Mary Ann Hobbs. A new era had started for Maruyama-san: after four European tours, three solo albums and countless other work he was embraced by the growing bass music scene as a force to be reckoned with.
In due course this led to continued engagements for his music. By 2007 he played the legendary DMZ event for the first time and was the opening DJ for Skream, Kode9 and The Bug on Japanese dates. Not one to stop moving, he also continued his work with the band Rebel Familia, releasing an album that featured collaborations with Punky Reggae legend Arie Up and reggae godfather Max Romeo. This project tethered him to dub more and his love of deeper dub-based sounds remains a constant in his music to this day. His relationship with Romeo also continued with the Lee Perry-associated singer making an appearance on the club smasher single Babylon Fall released this past September on DEEP MEDi Musik and also featured on New Epoch. Romeo’s mystic voice lends itself well to the spirit-laden music of Goth-Trad. Unlike the Shinto mountain and forest spirits of old though Maruyama-san’s music is firmly routed around the spirits of his city. His is the music of dark alleyways in Shinjinku on a cold wet night, the soundtrack to the underbelly of a sprawling modern metropolis on the edge, a noir Tokyo first seen in the post-war films of Japanese New Wave directors in the early 60s and the films of the Art Theatre Guild. It is Western-influenced yet uniquely Japanese. In the Art Theatre Guild film Eros Massacre we see the story of a Japanese anarchist revealed as sword fights take place on a Tokyo highway shot in beautiful captivating widescreen black and white. It’s this kind of contradiction that we hear in Goth-Trad – sounds we think we know mutated into new shapes and forms. The sound of Goth-Trad cuts through the humdrum of copycats.
2007 ended for Goth-Trad with more European dates across eight countries, this time with both live and DJ performances. The following year he continued to build his reputation with three releases – Far East Assassin for Skud Beats, Genesis for Soul Jazz Records and Law for DEEP MEDi Musik, the imprint that was quickly becoming Goth-Trad’s home. In 2009 he became an in-demand remixer with remixes for both Skream and Distance. Two more heavyweight singles for DEEP MEDi Musik Dark Path and Sunbeam also followed. After that came same lab time leading up to his most assured sounding album to date.
New Epoch is by far and away Goth-Trad’s most complete piece of work to date, showcasing what he is has learnt in his years of producing, touring, playing live and remixing. The album features eleven superbly and delicately crafted tracks. From the opener Man In the Maze full of beautifully dark, emotional strings and pulsating, mesmerizing groove to the intense synthesizer stabs and pure dance-floor mayhem of the Mirage – one of the strongest tracks that has been firing in heavy rotations from Mala and Kode9 – to the title track New Epoch which defines a producer digging through different styles, experiences and cultures to find himself now one of the most unique artists within the scene and beyond. We’ll leave the final words to Goth-Trad himself (as told in September to Low End Theory), “To be honest with you I’m not listening to Dubstep that much, the whole reason I got into making Dubstep is because it’s free. You can do anything with it. Take it all sorts of directions…. I’m always looking for more directions and styles within my work, but I’m not really thinking I’m doing Dubstep. I’m just doing my sound. I’ve been doing this style of music for almost ten years and I just say all this music is bass music. I’m putting a lot of variety into the new album. Some tunes are very techie, some tunes are much more experimental, a bit glitchy. There may be some more banging stuff. I’ve lots of ideas to keep moving with.” New Epoch indeed! Onward marches the one-man army known as Goth-Trad.
The Kills recently released their fourth studio album ‘Blood Pressures’ to widespread critical acclaim. First single Satellite was remixed by Mad Professor & Joe Ariwa for a special 10″ released through Record Store Day in April (info on copies below), and more recently by London dub producer The Bug (King Midas Sound).
You can download The Bug Remix for free & for more information see the links below.
Download: The Kills – Satellite (The Bug Remix)
To listen to one of the Mad Professor & Joe Ariwa remixes of Satellite, visit here
The Kills – Satellite, Warbler Ariwa mix (Mixed by Mad Professor & Joe Ariwa) by DominoRecordCo
01 : Don Carlos – Rain all night, Skrewface remix [Unreleased]
02 : Mungo’s Hi-fi – Drunken master ft. Top Cat & Jacky Murda, Tes La Rok remix [Noppa]
03 : Egoless – Overnight dub [Unreleased]
04 : Dubkast – Breadbeat [Dub Related]
05 : SP:MC – Future [Tempa]
06 : Fused Forces & Dj Cable – Yoshimitsu [Triangulum]
07 : SP:MC – Trust nobody [Tempa]
08 : Æon – Eternal exodus [Unreleased]
09 : D1 – Verb [Unreleased]
10 : Idlemode – SMKA [Unreleased]
11 : China~ – Burberrycolour [Unreleased]
12 : Commodo – Querky [Untitled!]
13 : Lost & Hatcha – Easyrider tribute V2 [Promo]
14 : The Bug ft. Killa P & Flowdan – Skeng, Autechre remix [Ninja Tune]
15 : Badness – Ya zee me fam ft. Riko [Lava Unit]
More mixes here : forensics.postbocks.com
XLR8R has been reveling in Ninja Tune’s 20th anniversary all month long, and tonight the celebration steps up a notch with the Ninja Tune XX event in New York, to be followed this weekend by the equally enormous San Francisco and Los Angeles parties. To help ramp everyone up ahead of time, we’re also sharing the final installment of our special Ninja Tune XX podcast series, and it’s a doozy. Label founders Coldcut have teamed up with old-school Ninja Tune acts DJ Food and DK to assemble this massive mix which spans Ninja Tune’s extensive discography. Over the course of 70-plus minutes and more than 40 tracks, the Solid Steel veterans touch on the many eras, sounds, and styles of the venerable label’s diverse history.
01 The Herbaliser “Wall Crawling Giant Insect Breaks” (Ninja Tune)
02 The Heavy “How You Like Me Now” (Counter)
03 Amon Tobin “Sordid” (Ninja Tune)
04 Happy Campers “No Mind” (Ninja Tune)
05 Cadence Weapon “Getting Dumb” (Big Dada)
06 Ryuichi Sakamoto “Anger (Rare Force 2 Meg Mix) “Ninja Tune
07 Bonobo “Pick Up” (Ninja Tune)
08 Thunderheist “Sweet 16″ (Big Dada)
09 Mr. Scruff “Get A Move On” (Ninja Tune)
10 DJ Food “Peace Pt. 1″ (Ninja Tune)
11 Daedelus “Make It So (XXXchange Mix) ” Ninja Tune
12 Coldcut “Walk a Mile in My Shoes” (Ninja Tune)
13 Kentaro “Free (acapella)” (Ninja Tune)
14 TTC “Travailler” (Big Dada)
15 Spank Rock “Rick Rubin” (Big Dada)
16 Zero dB “Bongos, Bleeps & Basslines” (Ninja Tune)
17 Diplo “Percao” (Big Dada)
18 Coldcut & Hexstatic “Timber (Seiji Remix)” (Ninja Tune)
19 Bonobo “Eyesdown (Warrior One Mix)” (Ninja Tune)
20 Thunderheist “Jerk It” (Big Dada)
21 Jammer “One Over Me Tune”
22 Hexstatic “Distorted Minds (Zero dB Mix)” (Ninja Tune)
23 Coldcut “Atomic Moog (Qemists Remix) ” (Ninja Tune)
24 Shuttle “Tunnel” (Ninja Tune)
25 Wiley “Syer Pussy Instrumental”
26 DJ Vadim “The Terrorist” (Ninja Tune)
27 Coldcut “More Beats N Pieces (USA Remix)” (Ninja Tune)
28 Diplo “News Flash” (Big Dada)
29 The Heavy “How You Like Me Now (Coldcut Remix)”
30 Toddla T “Sky Surfing (Benga Remix)” (Ninja Tune)
31 The Bug “Catch a Fire” (Ninja Tune)
32 Coldcut “Man In a Garage (King Jammy Mix)” (Ninja Tune)
33 Ghislain Porier feat. Face T “Blazin’ (Modeselektor Remix)” (Ninja Tune)
34 DJ Vadim “The Terrorist (Gaslamp Computer Killer Mix)” (Ninja Tune)
35 DJ Food “Dark Lady (Alix Perez Remix)” (Ninja Tune)
36 DJ Food “20/20 Rhythm (90-110bpm)” (Ninja Tune)
37 Kid Koala “3 Bit Blues” (Ninja Tune)
38 Pop Levi “Blue Honey (Amorphous Androgynous Monstrous Psychedelic Bubble Remix)” (Ninja Tune)
39 Daedelus “Impending Doom (Rustie Remix)” (Ninja Tune)
40 Coldcut “Timber (Super Sargasso Orb Mix)” (Ninja Tune)
41 Andreya Triana “Lost Where I Belong (Flying Lotus Remix)” (Ninja Tune)
42 Jono McCleery “Tomorrow” (Ninja Tune)
43 Diplo “Summer’s Gonna Hurt You (Diplo 2010 Mix)” (Ninja Tune)