Over the last year I’ve traveled to Canada frequently for gigs and got to know the small but healthy electronic music scene there. Cities like Montreal, Vancouver and Toronto have brought forth many established artists over the past few years, such as Egyptrixx, Azari & III, Basic Soul Unit, Jacques Greene, Lunice and Sixtoo, but 2012 has seen a new breed of no-nonsense house and techno producers come up via labels like Turbo Recordings and Naked Lunch.
This “Dovercourt EP” features four very talented producers: Kevin McPhee, Nautiluss, Gingy and fresh face Bruce Trail. Their tracks are a dedication to their hometown of Toronto. Being removed from the house/techno epicentres of Berlin and London, these four are much less interested in what’s fashionable or trendy, and more in bringing us straight to the point, no frails jacking house music. I’ve been playing these four extensively in my DJ sets, and I hope you will too. So out to Toronto, this one’s for you! Enjoy. Martyn
Archive for 3024
Filterwolf releases the first single from his upcoming third album ‘Viva La Rave’, entitled ‘Brooklyn Via Montmartre‘. This single is intervowen with three state-of-the-art remixes from Jimmy Edgar (Warp, Hotflush), Altered Natives (Hyperdub, 3024) and Eduardo D’Alirio (International DJ Gigolos,Filigran).
The original track is nothing short of future house anthem with an elegant and catchy piano melody reminiscent of Detroit hit ‘Strings Of Life’, finest jazz percussions and vocoder action, which all serve to catapult this track into the new sonic spheres.
Jimmy Edgar, a wayward star producer from Detroit, now residing in Berlin, brings his new found club-oriented futuristic sleaze into his rework of the track, making it a giant dancefloor burner guaranteed to clock in over 10 minutes.
Altered Natives, a celebrated producer from London, whose last album was on many top ten lists of 2011, makes a rough and tumble remix, with grimy sub basses and incredible intensity in his original interpratation of the UK Funky style.
And finally, Eduardo D’Alirio adds new sophisticated layers and playful details layered on top of the original track, making it a perfect summer manifesto.
Embracing spontaneity, Dutch dubstep ace Martyn woke up one bright spring morning and put together a mix of all the songs that were floating around in his head. Aptly titled IMPULSIEF – the Dutch word for impulsive – the mix blends Miles Davis and The Pet Shop Boys with contemporary greats such as Caribou.
Martyn The label boss of 3024, Martyn is somewhat of a living legend within dubstep and his career mirrors the success of the genre. This mix, however, is a move away from the music that made Martyn’s name and is instead a spontaneous collage of jazz, electro-pop and punk – as Martyn explains:‘I do like spontaneously recorded moments, so I woke up, saw that here in the sleepy suburbs of Washington DC it was going to be a beautiful day, and decided to do a mix as if it were a spring afternoon radio show, with a few jingles and music from across the board that I love dearly.’
‘Contrary to my DJ gigs in clubs, I actually danced hard to these songs during the recording, and I found out there’s no shame in knowing all the lyrics to West End Girls. Hope you enjoy the music!
Download:Martyn oki-ni presents IMPLUSIEF
Miles Davis Tutu
The Family High Fashion
Tom Tom Club Shock the World
Toro Y Moi Causers of This
Pet Shop Boys West End Girls
Games Strawberry Skies
Carl Craig Goodbye World
Das Ding H.S.T.A.
Paris Grey Don’t Make me Jack
Son of Sam Nature makes a Mistake
Austin Peralta Renaissance Bubbles
Visage The Damned don’t Cry
Oppenheimer Analysis The Devils Dancer
Daphni Ye Ye
L.A. Synthesis Agraphobia
Nosaj Thing IOIO
Sheila E Dear Michaelangelo
3024’s West Country themed takeover climaxes with the 2 previously unheard tracks from one man genre Addison Groove. Marrying hyper kinetic drum programming and dusty-crate dwelling loops to gauzy electronic textures and introspective breakdowns has marked the artist formerly known as Headhunter out as exactly the kind of resolutely unclassifiable Producer 3024 set out to support, and the below tracks are the strongest evidence yet of the increasing refinement of the Addison Groove sound.
‘It’s Got Me’ opens with broken window Rhodes twinkling & primal toms locked into an increasingly intricate call & response routine with whiplash snares. Multiple vocal splices break the surface as each voice is submerged under constantly shifting synth drones, Roland sonar blips and Swiss watch percussion before bursting back through with metronomic bludgeon.
Flipside ‘Minutes Of Funk’ inverts the disorientating murk of it’s predecessor by anchoring proceedings around an instantly recognisable refrain and drizzling humid analogue fuzz over the top, while the shared engine of pounding toms, machine gun hats and well concealed 808 hits provide 5 minutes of relentless interstate momentum.
Wrapped around the physical version is probably Erosie’s most elaborate sleeve design yet, with the chromatic splicing a perfect partner for the contents it flamboyantly protects.