Archive for Ben UFO

Beats In Space 15th Anniversary – ‘Mixed by Tim Sweeney’ (Beats In Space)

Posted in News with tags , , , , , , , , , , , , , , , , , , , , , , on October 10, 2014 by E.N.

Beats In Space 15th Anniversary - 'Mixed by Tim Sweeney' (Beats In Space)Emanating from the mists of NYC´s over­-populated airwaves since 1999, Tim Sweeney´s Beats In Space show has long been a beacon of quality, originality and cutting edge music on a weekly basis for electronic music fans world­-wide. The standard and variety of the regular guests has always been extremely high and international DJ´s and artists such as DJ Harvey, Four Tet, Ben UFO, Move D, Jamie XX, Prosumer, James Murphy, Carl Craig, Gerd Janson, Todd Terje and many more have all graced the BIS turntables at one time or another in the last decade and a half.

This special two disc compilation celebrates 15 years of the BIS radio show, label and musical movement. The open minded approach to music and quality control that makes BIS is all down to Tim Sweeney´s flawless programming and dedication to his audience. The first disc is a live mix captured in the WNYU 89.1 studio featuring a host of exclusive tracks and edits from from Azari & III, Edwin Starr, Dukes Of Chutney & Secret Circuit, with thirteen of the sixteen tracks exclusive to the project.bis-logo-acronym

The second disc is a collection of BIS classics and influences that have steered the direction that the show has taken since it´s inception, including some killer under the radar gems, unreleased tracks and secret weapons from the likes of John Talabot, Matias Aguayo, Plaid b Tensnakeand pioneering labels such as Permanent Vacation, Running Back andInternational Feel.

Both mixes help to tell the story of one of the most enduring, vital radio shows out there. Each and every week, on a Tuesday evening Tim takes to the airwaves with a selection of the best old and new music the underground has to offer and the world tunes in. Long live Beats In Space

Label: Beats In Space
Cat no: BIS021CD
Released: Monday November 17th, 2014

1. Edwin Starr – Get Up Whirpool (Eric Duncan Edit)
2. Reuma Abas – Wa´ana Fda Leumi (Apfelberg et Matushka Edit)
3. David Hasert – Deep Horst
4. Azari & III – Party Night
5. Dukes Of Chutney – Jan´s Bellski (Pedrodollar Remix)
6. Masks – Folds I
7. Barnt – Chappell
8. Galcher Lustwerk – Kaint
9. Secret Circuit – Higher Heights (Hidden Fees Remix/Tim Sweeney Edit)
10. Marvin Horsch – Deen
11. Pedrodollar – Free4Love – Studio Barnhus
12. Samuel – A Million Things
13. Gino Bomino- Save The World Now
14. Junior Fairplay – Sugar Puss – Crimes Of The Future
15. E­Versions – Shoe
16. El Coco – Coco Kane (Frasier Edit)

CD2 Beats In Space Classics:

1. Baby Oliver – Shot Caller
2. John Talabot – When The Past Was Present (Pachanga Boys Purple Remix)
3. Tensnake – In The End I Want You To Cry
4. Justin Vandervolgen – Clapping Song
5. Quesh – Candy Girl (Crue-­L Luger Dub)
6. Plaid – Scoobs In Columbia
7. Matias Aguayo – I Don’t Smoke
8. Butler Kendig – Oh Baby (Snuff Krew Remix 1) L
9. FIT – Tonite (OG Mix) – FIT
10. Ralph Falcon – Every Now And Then
11. Naum Gabo – Pictur (The Loving Hand Remix – Naum Gabo Edit 1)

12. Delia & Gavin – Relevee (Carl Craig Remix)
13. Rocha – Feel The Love (Welcome Stranger Remix)
14. Murat Tepeli – Forever (Prosumer´s Hold Me Touch Me Remix)
15. Balil – 3/4 Heart
16. Tim Blake – Last Ride Of The Boogie Child

Taz & Akka ‘Synergy EP’ (Rwina Records)

Posted in News with tags , , , , , , , , , , , , , , , , , , on February 7, 2013 by E.N.

Taz & Akka 'Synergy EP'Release date: 1st April 2013
Format: 12” / Digital
Rwina Records kick off 2013 with the ‘Synergy’ EP, a collaborative release from Taz & Akka. Glasgow’s Taz makes his fourth appearance on the label, while Akka (aka label head and mastermind Akkachar) finally steps over to the artist side. The pair have been collaborating for three years, with this first release compiling four tracks from the extensive amount of material the two have accumulated in that time.
‘Illusory’ combines euphoric synths, a flair for hooks and hands in the air escapism. ‘Mobius’ takes its inspiration from video games, grime, cartoons and hip hop, throwing everything into a blender and pouring the results all over the dancefloor. ‘Paul Is Dead’ switches up the tempo for a deeper take on the footwork sound, with a vocal snippet name checking one of the most famous “Paul”s in history and ‘Trapped In ’82’ closes proceedings by taking things back to the duo’s youth, unashamedly celebrating the musical excesses of the 80s.
Rwina has a strong back catalogue from artists such as Starkey, EPROM, Terror Danjah, Swindle and support from DJ Shadow, SBTRKT, Flying Lotus, Diplo, Mary Anne Hobbs, Skream, Oneman, Ben UFO, Machinedrum and many more.
1. Illusory
2. Mobius
3. Paul Is Dead
4. Trapped In ’82

Pangaea – Release (from FABRIC LIVE 67: BEN UFO)(Stream)

Posted in News with tags , , , , , , , , , , , , , , , , , , , , , , , , , on December 12, 2012 by E.N.

artist: Ben UFO
release: FABRICLIVE 67
label: Fabric Records
date: 21.1.2013 (USA: 12.2.2013)
More Info HERE

Pearson Sound – Clutch (from FABRIC LIVE 67: BEN UFO)(Stream)

Posted in News with tags , , , , , , , , , , , , , , , , , , , , , , on December 12, 2012 by E.N.


artist: Ben UFO
release: FABRICLIVE 67
label: Fabric Records
date: 21.1.2013 (USA: 12.2.2013)
More Info HERE


Posted in News with tags , , , , , , , , , , , , , , , , , , , , on November 22, 2012 by E.N.

In a world where illegal downloads, cracked software and sync buttons are helping to create swarms of young DJs with bottomless libraries of digital music they’re vaguely familiar with, you might question the role and relevance of the specialist DJ in today’s musical landscape. Not everyone possesses the talent, care and breadth of taste required to project their personality through other people’s records, or to create narratives which transcend dancefloors; Ben UFO is someone who does. Over the years Ben has increased in confidence and proficiency, and in devoting himself to highlighting the shared characteristics between and beyond 2-step garage, dubstep, classic house and techno, he has learned to expertly navigate and bridge tempos and genres in as natural a fashion as possible, allowing tracks from disparate areas to co-exist and function comfortably alongside one another to form a unique and well-defined aesthetic.

Moving to Leeds to study in 2004, Ben applied for a show on student radio but was declined a slot – a setback which he identifies as setting him on his path towards establishing Hessle Audio as a record label and DJing in club environments. As a result he pitched for a show on SubFM alongside David Kennedy (Pearson Sound) and Kevin McAuley (Pangaea), naming the show after the club night he and Kevin had started with several of their friends (Ruffage) in order to promote dubstep in Leeds, at a time when the genre had very little representation outside of London and Bristol. The radio show ran for three years, at which point they were offered a regular slot on RinseFM, where they continue to broadcast twice a month.

In 2007, after finishing university, the three friends started Hessle Audio. The label was formed with the idea of providing a platform for the release of Pangaea and Pearson Sound’s own records, but its scope quickly expanded, resulting in the release of genre-defying records by Objekt, Untold, Cosmin TRG, James Blake, Blawan and more. In May 2009 they started their residency at Fabric, which has been ongoing ever since. The club night reflects what they do as a record label and as DJs, showcasing expansive, varied lineups and drawing connections between artists as diverse as Kassem Mosse, Kode 9, Livity Sound and Randall.

“A release like this seems like a good opportunity to contextualise music for people at a time where information is spread pretty chaotically, and this mix is hopefully a good representation of how the music we release relates to the music we play in clubs.” Ben UFO

The primary purpose of this FABRICLIVE release is to represent exactly what Ben does as a DJ, and to give him the opportunity to showcase the different aspects of the music that he stands for. Accordingly, it is not a straightforward mix of house, bass music or techno; neither is it filled with exclusives or unreleased material. It is an indicator of where we are at and where we have come from, and a statement of intent. It is a considered and highly textured mix consisting of 28 tracks and traversing multiple styles.

Emerging from the moody introversion of Mix Mup’s “Before (Dub),” the mix starts in earnest with an aggressively distorted cut from Delroy Edwards, which bleeds into the off-kilter rhythms and sub-bass intensity of an exclusive from Pev & Kowton. From there we’re thrown into the bizarre future-tribal world of DJ Sotofett remixing Tim ‘Love’ Lee’s “The Tortoise” and onwards through tracks and decades, as Chicago Skyway’s “It’s OK” combines with K-Hand, Fluxion, Jam City, Pearson Sound and Mr. Fingers. There are truly inspired transitions here: the acid tones of “Zug Island” by Kyle Hall & Kero drip languidly over Shackleton vs Kasai Allstars’ “Mukuba Special”; the shattered percussion of A Made Up Sound’s “Malfunction” is pulled into line by the loop-driven techno of Grain’s “Untitled”; the dissonant bassline drone of Pangaea’s “Release” swallows up and consumes whole the kick-drum barrage which defines Blawan’s “And Both His Sons.”

With Hessle Audio releases represented heavily alongside labels such as L.I.E.S., Hinge Finger, Night Slugs, Hemlock and Eglo, there are clear indications of a tightly-knit community working collectively to push things forward. Ben is central to this movement, and with this mix he manages to communicate not just who he is and what he does, but ultimately where we are at.

artist: Ben UFO
release: FABRICLIVE 67
label: Fabric Records
date: 21.1.2013 (USA: 12.2.2013)

1. Mix Mup – Dub [Mikrodisko]
2. Delroy Edwards – Feelings [L.I.E.S.]
3. Pev & Kowton – Raw Code [unreleased]
4. Tim ‘Love’ Lee – The Tortoise (Sex Tags Mania NYC Mix) [Tummy Touch]
5. Elgato – Zone [Hessle Audio]
6. Gesloten Cirkel – Twisted Balloon [Murder Capital]
7. Chicago Skyway – It’s OK [Eargasmic]
8. K Hand – Project 5 (Untitled B1) [Acacia]
9. Fluxion – Pendoulous [Chain Reaction]
10. Minimal Man – Consexual [Guerilla]
11. Jam City – Club Thanz [Night Slugs]
12. Herbert – Take Me Back [Accidental]
13. Lowtec – Looser [Nonplus]
14. Pearson Sound – Clutch [Hessle Audio]
15. Mr. Fingers – I’m Strong (Instrumental) [Alleviated]
16. Shackleton vs Kasai Allstars – Mukuba Special [Crammed]
17. Kyle Hall and Kero – Zug Island [Wild Oats]
18. Circuit Breaker – Ping [Plus 8]
19. Osborne – Bout Ready to Jak (Shake Remix) [Spectral Sound]
20. Juniper – Jovian Planet [Ominira]
21. A Made Up Sound – Malfunction (Despair) [50WEAPONS]
22. Grain – Untitled [FatCat]
23. Bandshell – Perc [Liberation Technologies]
24. Blawan – And Both His Sons [Hinge Finger]
25. Pangaea – Release [Hessle Audio]
26. Joe – Studio Power On [Hemlock]
27. Floating Points – Danger (Locked Groove) [Eglo]
28. Grown Folk x Main Attrakionz – I.C.E. (Kuedo Remix) [Templar Sound]

FABRICLIVE 67 will be launched at Fabric on Friday 11th January, with Ben UFO, Pearson Sound, Pangaea, Optimo, MMM (Live), Call Super and more.

Pangaea to release ‘Release’ a double EP on vinyl and CD in October

Posted in News with tags , , , , , , on August 30, 2012 by E.N.

“Do your thing, just make sure you’re ahead of the game”, warns ‘Game’, the opening salvo of Release, Pangaea’s new double EP for Hessle Audio. It’s a statement of intent for the entire record, reflecting the increasingly idiosyncratic nature of his music. Release’s eight tracks are entities unto themselves, each a natural evolutionary continuation of the rough and rolling pirate radio techno he began to culture on last year’s Hex and Inna Daze 12″s.

Since his early releases, Pangaea’s music has expanded to reflect the growing diversity of dancefloors, reaching outward to integrate jungle, hardcore, techno and house into its rhythmic axis. The result is an incendiary hybrid form rooted in UK hardcore traditions, where ruffneck MC chatter, static-addled voices and sinewy melodies slip in and out of earshot like ghosts channelled from raves past.

These base materials are put to a variety of different uses across Release’s length. Foremost among them is a swung and sub-heavy vision of UK techno, informed by a love of pirate radio and sound-system music. So instead of remaining locked to a four-to-the-floor pulse, rhythms are splayed outwards into vortices – swirling assemblages of kicks, woodblocks and shrapnel that weave in and around one another. ‘Majestic 12’ explodes from the blocks at blistering speed, repeatedly switching in intensity across its length. Hi-hats keep time above roiling kick-drums on ‘Trouble’ and the aptly titled ‘Time Bomb’, which detonates with a billowing thud at the start of each bar.

Other tracks touch on ideas familiar from Pangaea’s earlier music, but twist them almost beyond recognition. Both ‘Game’ and the ‘Release’ are raw steppers’ tracks, but ruder and more abrasive than anything he’s released to date, while ‘Middleman’ offsets a halfstep shuffle with warm brassy melodies. Release saves its largest curveball for last, though, with the seething ambient of ‘High’, whose murky surfaces are pockmarked by bit-crushed screams.
artist Pangaea
title Release
label Hessle Audio
date 29 October 2012
format double EP = 2 x 12″ | CD | digital

1. Game

2. Release
3. Trouble
4. Majestic 12
5. Time Bomb
6. Middleman
7. Aware
8. High
As co-head of Hessle Audio alongside Pearson Sound and Ben UFO, Pangaea’s exploratory approach on Release also reflects the attitude that’s characterised both his and his label’s approach so far. As dubstep has fallen away, they have refused to simply follow many contemporaries into straightforward house and techno territory. Instead they take their influences as jumping-off points from which to explore, a method that’s led them along new and distinctive pathways in ever-noisier surroundings. Release is no exception – the building blocks used in its construction may be recognisable, but they work in a way you might not have heard before.

Champion – Sensitivity (Formula Records)

Posted in News with tags , , , , , , , , , , , , , , , , , on October 18, 2011 by E.N.

Artist: Champion
Title: Sensitivity
Label: Formula Records
Release Date: 21.11.11
Format: 12″ Vinyl & Digital
Catalogue Number: FRM002

1. Sensitivity (Feat. Ruby Lee Ryder)
2.Tun Up Di Bass
3. Sensitivity Acapella (Digital Only)
After releasing two highly sought-after EP’s this year in the shape of Motherboard and Lighter, one of UK funky’s most prolific producers wastes no time and strikes again with Sensitivity – something a little less aggressive than usual that still maintains the danceable groove that Champion is renown for.

Off the back of her summer collaboration, Full Attention with Terror Danjah, Ruby Lee Ryder lends her vocals to this silky Champion production. With her delicate vocal harmonies she sings in a lullaby like fashion which compliments the subtle synth stabs and refined chopped up bassline.

Champion’s signature raw drum programming is still on show here, only less prominent than on his previous efforts, which gives the track plenty of natural rhythm and also compliments its sultry nature. Sensitivity has gained early support from Mistajam, Marcus Nasty and Cameo as well as featuring on Ben UFO’s current Rinse 16 compliation.

The B-side sees Champion in more familiar dancefloor territory with the unrelenting Tun Up Di Bass bound to please fans of 130 BPM bass music from the likes of Redlight and Roska.

For more Champion :


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