Archive for Goth-Trad

Outlook Festival Croatia announce Busta Rhymes, Buraka Som Sistema, DJ Marky and many more!

Posted in News with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 29, 2014 by dk

outlook festival croatia
• Headliners include Busta Rhymes, Barrington Levy, Horace Andy, DJ Premier, Buraka Som Sistema, Goldie, Andy C, Moodymann, David Rodigan, DJ Marky, Andy C, Chronixx & Zinc Fence Redemption, Digital Mystikz, MJ Cole, DJ EZ, Floating Points, Special Request and many more, with a further 200 names to be revealed soon.
• Outlook returns for its 7th season on the stunning Croatian coast
• The festival takes place from Weds 3rd – Sun 7th September 2014

Outlook Festival returns to Croatia this September after last year’s best ever event to date, a celebratory fusion of dub, reggae, hip-hop, drum ‘n’ bass, garage, house and more on the dazzling Adriatic coast. Joining the dots between musical legends right through to the next generation of up and coming talent, again some of the finest live acts and DJs descend upon a 19th century fort for five days and nights of amazing music. Close to the historic city of Pula in Croatia’s northern region of Istria, the now iconic Outlook sets the agenda with a world-class array of performers in a collection of truly spectacular locations, set in and around an abandoned fort. Choose from a dungeon, a courtyard, a moat, a boat, the beach or the festival’s main stage set on a harbour. Outlook combines a heady mix of fun in the sun and under the stars as a dedication to sound culture, which has just revealed its first wave of names.

Outlook Festival 2014 – The Lineup So Far
Busta Rhymes, Barrington Levy, DJ Premier, Buraka Som Sistema, Horace Andy, Jah Shaka, Goldie, Moodyman, David Rodigan, Digital Mystikz, Michael Prophet & Dub Asante Band, DJ Marky, Andy C, DJ EZ, DJ Zinc, Submotion Orchestra, Chronixx & Zinc Fence Redemption, Ranking Joe, MJ Cole, Floating Points, The Bug feat. Iration Steppas, Dillinja, Spy, Dbridge, Calibre, Onra, Mungo’s HiFi, Youngsta, Pinch, Special Request, Andres (Slum Village), Kaytranada, Dub Phizix & Strategy, Icicle, Spectrasoul, Grooverider, The Heatwave, Channel One & Prince Fatty, Wookie, Author, Jonwayne, Eliphino, Bishop Nehru, Stwo, Applebottom, Hannah Wants, Andrew Ashong, Stylo G, Mickey Pearce, Daddy Freddy, Eglo Band, High Focus, My Nu Leng, Fatima, Kutmah, Doc Scott, Skeptical, Total Science, DJ Die, Source Direct, Radikal Guru + Cian, The Mouse Outfit, Necessary Mayhem, Goth-Trad, Hatcha, Mr Williamz, Alex Nut, Flako, Vivek, J:Kenzo, Commodo, Sunship, OBF, Blackboard Jungle, MC GQ, Stamina MC, SP: MC, DLR, Sticky, Klose One, Fracture, Bushkin, DJ Q, Ant TC1, Wilfred Gieroux, Charlie P, Sam Binga, Lowqui, Maffi, Seven Davis JNR, Proxima, Chimpo, Gantz, Logos, Wen, Compa, Fokus, Rich Reason, Finwa and Onset, with over 200 more names to be announced.

Download:ENA – Mule Mouth (Extended Version) 7even Recordings

Posted in News with tags , , , , , , , , , , , , , , , , , on March 29, 2013 by dk

ENA - Mule MouthFREE DOWNLOAD: For standard 320mp3 download via the player // For the WAV version head here:
ENA – Bilateral LP is released on @7evenrecordings on Ltd Digipack CD on 17th April 2013.
Tokyo, Japan: 2013. In a city where time and space can easily become uncontrollable factors, the underground electronic music scene has built its own culture and society for more than 30 years. Taking and incorporating influences from all over the world, the creations born from Japan’s underground continue to stay highly unique and maintain a clear sense of being deeply Japanese. ENA has been a multi-instrumentalist artist, studio engineer, DJ and producer for more than a decade now. The author of three acclaimed 12” releases over the past three years on the 7even Recordings imprint, his rare output has always impressed by the uniqueness of his sound and the high level of studio technique in his production. ENA has been tying the old to the new by blending diverse influences such as Dub music, early Drum & Bass, Dubstep, Techno and Abstract Hip Hop. He’s gained support from major players such as Surgeon, Laurent Garnier, A Made Up Sound, Pangaea, Goth-Trad and Peverelist to name but a few.

This first full-length album, “Bilateral”, is a visionary piece of music emerging from the studio of a very unique creator. Uncompromising, the 12 original tracks which compose “Bilateral” are the soundtrack of today’s Tokyo underground, the sound of a city of light and obscurity, stability and disequilibrium, stagnancy and full speed, the past, the present and the future. Press play and enter the world of one of the most creative composers of this generation.

Download:ENA – Mule Mouth (Extended Version) 

Goth-Trad – New Epoch (DEEP MEDi Musik February 2012)

Posted in News with tags , , , , , , , , , , , , on November 15, 2011 by dk

“You have to be hungry as a musician. You have to experiment, you have to develop, you have to move forward, but you have to be hungry. That is how it is supposed to be. I won’t say that I haven’t been successful but I will say that I want to be better than this.” Goth-Trad to Big Up Magazine, 2008

And better he has become. New Epoch, Goth-Trad’s debut album for the DEEP MEDi Musik imprint due out in February 2012, is the result of over a decade of pushing forward from the man Kode9 calls “a one-man army mutating the UK hardcore continuum in Japan.”

Takeaki Maruyama aka Goth-Trad is a spearhead among producers worldwide who have taken the sounds of the UK underground and mutated them into new forms – or, in this case, into New Epoch. However, for Maruyama-san it’s never been about trying to replicate the UK sound as he acknowledged in a 2008 interview, “Looking at good Dubstep producers, I don’t think they are trying to make Dubstep. They are already looking beyond this, and trying to make something new. They are thinking on another level. That’s the fun part!” And fun is something he knows all about.

Emerging from a vibrant underground Japanese electronic scene, Maruyama-san has developed into one of the most outstanding artists of his generation. His unique “fun” style involves freely playing samplers, keyboards and even self-made instruments – this approach brought him the nickname “the Sound Originator.” His sound comprises a broad palette of influences from Abstract Electronica to Noise, from Dub and Reggae to Jungle, from Rave and Grime to Punk, and almost every form of music somehow is absorbed into his black hole-like approach, emerging from a trans-warp conduit on the other side as something uniquely Goth-Trad. Maruyama-san has simply always been experimenting and developing his own sound palette. This truly unique, abstract approach has earned him a place at the forefront of dance music in Tokyo – quite a feat in of itself since Tokyo has one of the most complex and engaging scenes for electronic music in the world. With a strong back catalogue of albums and touring beneath his belt the buzz for his music has slowly spread further and further around the world, New Epoch is certain to bring the bass mutations of this Tokyoite even further.

Maruyama-san first started producing music in 1998 and by 2001, he was ready for a breakthrough. It came when he formed the band Rebel Familia with the much-respected Dub Reggae bass player Takeshi ‘Heavy’ Akimoto of Dry & Heavy, a legendary Japanese act. By 2003, he had released his first solo album Goth Trad 1, which led to his debut European tour the same year and an opening slot for respected indie rock act The Mars Volta the following year. Maruyama-san says of this period, “Before Dubstep I was making experimental beats or almost kind of ambient.” His second album The Inverted Perspective in 2005 shifted the focus to the live improvisational style that he continues to develop and refine to this day. Looking back, he describes the record as “almost a noise experiment.” This was swiftly followed by a third album Mad Ravers Dance Floor, which was his first move towards the kind of dance music he makes today. He recalled what inspired him at the moment in an interview with Knowledge magazine – “When I found Grime music I heard Morgue by Wiley. It’s very deep and like down-tempo Hip-Hop but has more bass. Maybe we could call that Dubstep but back then it was called Grime. The first image was ‘deep’. The music totally fit some vision in my head. I felt something from that music.” Mad Ravers Dance Floor opened European ears to his sound even more – especially when the Grime-inspired single Back to Chill was picked up by UK label Skud beats, catching the attention of the expanding bass music scene in the UK. By the end of 2006 Goth-Trad also started own night in Japan named after the single and he embarked on his fourth European tour that provided a pivotal breakthrough moment in his career thanks to a timely meeting at the London club FWD>> with Dubstep pioneer Mala from Digital Mystikz.

Mala signed the single Cut End / Flags to his own DEEP MEDi Musik imprint and subsequently those cuts garnered noise from a strong core of supporters including artists like The Bug, Kode 9, Coki, Skream and Mary Ann Hobbs. A new era had started for Maruyama-san: after four European tours, three solo albums and countless other work he was embraced by the growing bass music scene as a force to be reckoned with.

In due course this led to continued engagements for his music. By 2007 he played the legendary DMZ event for the first time and was the opening DJ for Skream, Kode9 and The Bug on Japanese dates. Not one to stop moving, he also continued his work with the band Rebel Familia, releasing an album that featured collaborations with Punky Reggae legend Arie Up and reggae godfather Max Romeo. This project tethered him to dub more and his love of deeper dub-based sounds remains a constant in his music to this day. His relationship with Romeo also continued with the Lee Perry-associated singer making an appearance on the club smasher single Babylon Fall released this past September on DEEP MEDi Musik and also featured on New Epoch. Romeo’s mystic voice lends itself well to the spirit-laden music of Goth-Trad. Unlike the Shinto mountain and forest spirits of old though Maruyama-san’s music is firmly routed around the spirits of his city. His is the music of dark alleyways in Shinjinku on a cold wet night, the soundtrack to the underbelly of a sprawling modern metropolis on the edge, a noir Tokyo first seen in the post-war films of Japanese New Wave directors in the early 60s and the films of the Art Theatre Guild. It is Western-influenced yet uniquely Japanese. In the Art Theatre Guild film Eros Massacre we see the story of a Japanese anarchist revealed as sword fights take place on a Tokyo highway shot in beautiful captivating widescreen black and white. It’s this kind of contradiction that we hear in Goth-Trad – sounds we think we know mutated into new shapes and forms. The sound of Goth-Trad cuts through the humdrum of copycats.
2007 ended for Goth-Trad with more European dates across eight countries, this time with both live and DJ performances. The following year he continued to build his reputation with three releases – Far East Assassin for Skud Beats, Genesis for Soul Jazz Records and Law for DEEP MEDi Musik, the imprint that was quickly becoming Goth-Trad’s home. In 2009 he became an in-demand remixer with remixes for both Skream and Distance. Two more heavyweight singles for DEEP MEDi Musik Dark Path and Sunbeam also followed. After that came same lab time leading up to his most assured sounding album to date.

New Epoch is by far and away Goth-Trad’s most complete piece of work to date, showcasing what he is has learnt in his years of producing, touring, playing live and remixing. The album features eleven superbly and delicately crafted tracks. From the opener Man In the Maze full of beautifully dark, emotional strings and pulsating, mesmerizing groove to the intense synthesizer stabs and pure dance-floor mayhem of the Mirage – one of the strongest tracks that has been firing in heavy rotations from Mala and Kode9 – to the title track New Epoch which defines a producer digging through different styles, experiences and cultures to find himself now one of the most unique artists within the scene and beyond. We’ll leave the final words to Goth-Trad himself (as told in September to Low End Theory), “To be honest with you I’m not listening to Dubstep that much, the whole reason I got into making Dubstep is because it’s free. You can do anything with it. Take it all sorts of directions…. I’m always looking for more directions and styles within my work, but I’m not really thinking I’m doing Dubstep. I’m just doing my sound. I’ve been doing this style of music for almost ten years and I just say all this music is bass music. I’m putting a lot of variety into the new album. Some tunes are very techie, some tunes are much more experimental, a bit glitchy. There may be some more banging stuff. I’ve lots of ideas to keep moving with.” New Epoch indeed! Onward marches the one-man army known as Goth-Trad.

Goth-Trad – Babylon Fall Feat. Max Romeo

Posted in News with tags , , , , , , , , , , on August 25, 2011 by dk

It’s been a long time coming but finally Deep Medi are proud to present, Japan’s biggest Dubstep export V’s arguably one of Jamaica’s all-time biggest stars Max Romeo to bring you ‘Babylon Fall’. This is Goth-Trad’s latest release and last before his album expected November 2011.

The EP leads with ‘Babylon Fall’ featuring Max Romeo. Max Romeo is best known for his album ‘War In A Babylon” produced by Lee Scratch Perry at the Black Art Studios featuring classics, ‘One Step Forward’, ‘War In A Babylon’ and the Reggae anthem ‘Chase the Devil’. Goth-Trad lays down a trademark bass heavy, rumbling rhythm with Max Romeo still showing after all these years that his vocal is still standing strong and lyrical content bringing positive vibes in these troubled times.

‘Falling Leaf’ and ‘Sublimation’ see Goth-Trad in a deep techno mood. ‘Falling Leaf’ is a relentless barrage of sub bass and industrial dub mechanics whilst Sublimation is more stealth like with its late night inner city running’s, think Japan via Detroit touching down in the UK. With ‘Itinerant Priest’ we have saved the biggest dance-floor destruction till last, from the opening chimes, organ drone and intense rave stabs through to the fierce pulsating bass you know this has got pure, unadulterated mayhem written all over it.

Artist: Goth-Trad
Title: Babylon Fall Feat. Max Romeo
Release: 26.09.11

1. Babylon Fall Feat. Max Romeo
2. Falling Leaf
3. Itinerant Priest
4. Sublimation